Marcotte’s image transfer process begins with a 35mm slide copied onto Polaroid film. The negative is peeled apart and transferred to watercolor paper, creating a delicate photographic base. She then layers watercolor, pencil, and paint onto the surface, producing images with a soft, luminous quality that dissolves the boundary between photography and painting. Depending on the transfer, the results range from fully rendered images to surfaces that evoke the fragmentary beauty of ancient frescoes. This process is now obsolete